November 5, 2008
A new journal, Humanimalia, has an opening manifesto
Here is a taste:
I. The past twenty-five years have witnessed an extraordinary explosion of interest in human interfaces with non-human animals. Since the publication of Peter Singer’s Animal Liberation in 1975 and the beginning of the movement for animal rights, human relationships with animals have become a focus of study in disciplines ranging from archaeology to literary studies, from sociobiology to postcolonial theory. This new attention recognizes that animal/human interfaces have been a neglected area of research, given the ubiquity of animals in human culture and history, and the dramatic change in our material relationships since the rise of agribusiness farming and pharmacological research, genetic experimentation, and the erosion of animal habitats. Our social and legal relationships with animals have become an object of scrutiny through increased animal rights activism, a shift from a discourse of “pets†to one of “companion species,†and the expansion of representations of animals through media, as animals increasingly disappear from our day-to-day experience . . . See more at: http://www.depauw.edu/humanimalia/humanimalifesto.html
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July 7, 2008
Poem by Billy Collins
“Another Reason Why I don’t Keep a Gun in the House”
The neighbors’ dog will not stop barking,
He is barking the same high, rhythmic bark
that he barks every time they leave the house.
they must switch him on on their way out.
The neighbors’ dog will not stop barking.
I close all the windows in the house
and put on a Beethoven symphony full blast
but I can still hear him muffled under the music,
barking, barking, barking,
and now I can see him sitting in the orchestra,
his head raised confidently as if Beethoven
had included a part for barking dog.
When the record finally ends he is still barking,
sitting there in the oboe section barking,
his eyes fixed on the conductor who is
entreating him with his baton
while the other musicians listen in respectful
silence to the famous barking dog solo,
that endless coda that first established
Beethoven as an innovative genius.
January 11, 2008
Stupid Art
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October 8, 2007
One or Several Literary Animal Studies?
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